




Brown Burl obsidian — with its deep mahogany figuring and warm tonal complexity — meets 24-karat gold-plated brass in a piece that makes no attempt at subtlety. Gold lines are inlaid directly into the stone, running through the body of the piece in a precise architectural grid: across the centre, through the two cigar rests, along the edges.
All pieces are available to view privately by appointment.
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